Showing posts with label Carry On Camping. Show all posts
Showing posts with label Carry On Camping. Show all posts

Thursday, 16 August 2018

Bernie Carries On … As Bernie Lugg!


Over the past year I have written a series of blogs covering each of the roles of some of our favourite Carry On stars. I began my looking back at each film role played by the three leading ladies in the series - Joan Sims, Hattie Jacques and Barbara Windsor - and most recently I've written about all of Kenneth Connor's Carry On performances in the run up to the great man's centenary. 

Today I am continuing a new strand of this series by turning the spotlight on that gentle giant of British comedy, the late Bernard Bresslaw. Probably one of the most under-rated actors in the main team, Bernard was a part of the series for ten years and fourteen films, tackling a superb range of crumbling villains and delightfully dimwitted foils to the likes of Sid James and Kenneth Cope. Bernard enjoyed a long career away from the Carry Ons and spent much of his later life wowing audiences in legitimate theatre. However he will forever to remembered for his clutch of hilarious Carry On supporting turns. 

Bernard joined the Carry On team in the mid 1960s and along with Peter Butterworth was the last main team member to join the gang. Along with Butterworth, Bernard played a series of smaller, supporting roles to begin with before graduating to major roles towards the end of the decade. Bernard fitted in effortlessly with the rest of the team and he's the kind of actor who is working hard but making it look oh so easy. A quiet, erudite, thoughtful family man away from the film studios, I often think Bresslaw has never received the credit he's due as like Connor and Butterworth, he didn't ever seek the limelight or splash his life over the front pages.

So today, we'll continue this new series looking at Bernard's role as the gullible sidekick Bernie Lugg to Sid James' Sid Boggle in Carry On Camping, one of the best loved films in the entire series.



Carry On Camping really needs no introduction. Everyone knows it, everyone has seen it. Even those poor souls who don't enjoy the Carry Ons as much as we do have seen Carry On Camping. It's quite simply part of modern British culture and our way of life. It sums up a certain kind of life in Britain that both once was and to a certain extent still exists. Rubbish holidays, failed dreams and the realities of everyday life but of course, we see the funny side of everything. The film has no real plot, it's just a bunch of classic British eccentrics coming together to share in the dubious delights of a camping holiday in the glorious British summer time. Of course being a Carry On, British summer time is actually November in the Pinewood Orchard. As with Up The Khyber made earlier the same year, Camping topped the box office for 1969 and remains one of the biggest money spinners in the entire series.

It's not hard to see whyThe film features countless classic sequences and performances that have gone into legend from a prime cast of favourites. Everyone is playing their classic Carry On persona to the hilt, from Sid James as the lusty Cockney on the make, Bernard Bresslaw as his dim-witted accomplice, Hattie Jacques as the ample Matron, Charles Hawtrey the slightly peculiar loner and Kenneth Williams the upper class, pompous know it all. When most people think of Carry On they think of Camping and for many reasons, rightly so.


The first half of the film sees all the main character groups make their way to Peter Butterworth's Paradise Camp. They include Sid's gang (Bresslaw, Joan Sims and Dilys Laye) who wrongly believe Paradise is a nudist camp; Kenneth's charges from the Chayste Place finishing school (more of this later) and the Potters (Terry Scott and Betty Marsden) a dreadfully middle-class pair, Scott on fine form as a bored husband with a wife who never listens to a word he says. Add in wonderful cameos from the likes of Brian Oulton as an imperious shop owner, Valerie Leon as his glamorous assistant ("we don't sell toothpaste sir"), Amelia Bayntun as Joan's irritating mother and Derek Francis as a suspicious farmer and you have ninety minutes of innuendo-laden British film joy. It's a massive warm hug of a film.

Carry On Camping gives us quintessential Bernie Bresslaw. Slightly slow-witted, very trusting and loyal but easily taken in by wily Sid's latest Hancockian scheme. Although playing second fiddle to Sid, Bernard gets plenty of screen time and a lovely reunion with his Carry On Doctor co-star and love interest, the delightful Dilys Laye. Bernard and Dilys are great together and we thankfully get much more of them in Camping and Doctor two years before. Something about the height difference between Bernard's towering frame and the petite Miss Laye adds a nice touch of comedy to the pairing but they are generally very sweet together despite Sid's earthy efforts to divert attentions to Babs and Fanny.



Yes, for here we have the slightly dodgy plot development of Camping. Sid and Bernie, two middle aged men, chasing after "school girls" Barbara Windsor and Sandra Caron. Changed days and I'm sure nobody thought anything of it at the time but it probably wouldn't be acceptable these days. True, in their defence it's a finishing school they've come from and it's easy to confirm that neither Barbara or Sandra are in their teenage years. There's much comedy to be found in Sid and Bernie chasing the girls who could quite easily run rings around the blokes. And of course Joan and Dilys are never far behind. Ultimately of course Babs and Fanny take off with the trendier hippies in the next field leaving Sid and Bernie to rediscover their own girlfriends.

A great deal of the success of Camping comes from the natural chemistry between Sid James and Bernard Bresslaw. They had worked together in the Carry Ons since 1965 however this was the first time they operated in one of the films as a kind of double act. It's clear the two actors got on and they compliment each other brilliantly throughout. I believe Bernard was one of the actors in the team that Sid was particularly fond of and the pair socialised together away from Pinewood on occasion. It's a measure of the actors that despite the double dealing and sly goings on, we still love them and feel such affection for them!



In the end Bernie is thrilled to rediscover his relationship with Laye's Anthea and the film ends as it begins, focussing on our favourite foursome. With the other campers dispersed, it looks like a happy ending until Joan's annoying mother appears on the scene to ensure there is 'no unnecessariness'! The film closes on Sid and Bernie getting to know their girlfriends a little better while Mrs Fussy is chased off by an errant ram! 

So that's my thoughts on Bernard's role as Bernie Lugg in Carry On Camping. Stay tuned for my next blog in this series, as I look back at Bernard's role in Carry On Up The Jungle! 




You can follow me on Twitter @CarryOnJoan and on Instagram

Wednesday, 16 May 2018

My Top 20 Favourite Carry On Actors - Number 11: Dilys Laye


This is part of a brand new series of blogs where I will take a purely personal look at my favourite Carry On actors. I will be doing a countdown of my top twenty actors and actresses in this, the sixtieth anniversary year of Carry On. So why top twenty? Well top ten didn't allow me to include all my favourites and any more than twenty and I'd be at it forever, as it were.

This top twenty will be a mix of regular top team actors and many of those instantly recognisable supporting actors who popped in and out of the series, adding superb cameos here and there. You will probably agree with some of my main choices and be vehemently opposed to others, but it's meant to encourage debate! 

So here we go with Number Eleven: a wonderfully warm, instinctive, natural actress who added class to four 1960s Carry On films Dilys Laye.

I've loved Dilys Laye for years. She's an actress who was never a star name like her contemporaries Joan Sims or Barbara Windsor but she worked consistently and beautifully across all media for seven decades and so many of these performances gained her a legion of fans and admirers. A bright, cheeky, sometimes alluring and always sparkly presence, Dilys popped up in many classic British comedy films but is best remembered today for her supporting roles in four wonderful Carry On films.



Dilys was a lifelong friend of Carry On regular Joan Sims, having met in revue in the early 1950s. Dilys landed her first Carry On role when Joan was too ill to play Flo Castle in Carry On Cruising in 1962. Although Joan will always be my favourite, I can't imagine anyone other than Dilys playing the energetic, husband-seeking cruise passenger who forms such delicious chemistry with Kenneth Connor. Two years later Dilys played the femme fatale Lila opposite Kenneth Williams in Carry On Spying, even singing a couple of gorgeous songs in the Cafe Mozart sequence.

In Carry On Doctor Dilys played the role of hospital patient Mavis Winkle, playing brilliantly with Bernard Bresslaw. Dilys shone in the climatic scenes which see the patients rebel against the horrid hospital staff of Dr Tinkle (Kenneth Williams) and Hattie Jacques' Matron. Dilys made her final Carry On appearance in the legendary Carry On Camping in late 1968. Teaming up with Sid James, Bernard Bresslaw and Joan Sims, the foursome go on a car journey from hell before pitching up at Paradise Camp! 

Dilys spoke so fondly of her time with the Carry On team and showed so much affection both for the films and the people she met making them. Always a joy to listen to as herself or in whatever role she played, her only regret was that she hadn't appeared in many more of the films. You can't help but love her!





So Dilys Laye comes in at Number 11 in my top twenty list of favourite actors. Who'll be next? 

You can follow me on Twitter @CarryOnJoan and on Instagram 

Wednesday, 28 March 2018

What A Carry On this Easter Sunday!


This Easter weekend sees ITV3 once again roll out several classic Carry On films for your viewing pleasure. In what has become a bit of a tradition on the ITV station, any bank holiday weekend seems the right time to trot out some tried and trusted Pinewood favourites and why not?

Over the course of Saturday, Sunday and Monday, ITV3 will be showing a range of wonderful Carry On films, so stay tuned to the blog for the low down on which films will be showing and when.


06.00 - Carry On Cruising (1962)



You'd better set the video to record this early screening of the first colour Carry On. The last film in the series to be written by Norman Hudis, Cruising follows the chaotic happenings of a new crew on a luxury cruise ship, without actually leaving Pinewood Studios. The first of the films to feature less than the standard cosy main cast list which had been assembled during the black and white era, the mainstays appearing are Sid James, Kenneth Williams and Kenneth Connor. While the film misses the likes of Hattie Jacques, Charles Hawtrey and Joan Sims, there is still much fun to be had from the likes of Liz Fraser, Dilys Laye and the ever excellent Esma Cannon.


Further Reading: Carry On Blogging: In Praise of Carry On Cruising


11.10 - Carry On Cowboy (1965) 


Carry On Cowboy is the eleventh in the series to be made. It was released in 1965, and was the first film to feature series regulars Peter Butterworth and Bernard Bresslaw. Series regulars Sid James, Kenneth Williams, Charles Hawtrey, Jim Dale and Joan Sims all feature, and Angela Douglas makes the first of her four appearances in the series.

Further reading: Carry On Blogging: My Favourite Scene - Carry On Cowboy 
Carry On Blogging Interview: Angela Douglas 


13.10 - Carry On Behind (1975) 


I have such a soft spot for this one, pretty much Carry On Camping: The Revenge! Swapping a bunch of holidaymakers in tents for a bunch of holidaymakers in caravans, this is probably the most 70s of all the Carry Ons made in that very dodgy decade! With the likes of Hattie Jacques, Barbara Windsor and Sid James absent from in front of the camera and Talbot Rothwell handing over his writing duties to Dave Freeman, times were a-changing. Glamorous, exotic international guest star Elke Sommer adds some fresh talent to proceedings while then current stars of the small screen such as Ian Lavender, Adrienne Posta, Sherrie Hewson and Windsor Davies bolster the slimmer than usual ranks of top class Carry On talent. Don't worry, the broad comedy is still ably delivered by Kenneths Williams and Connor, Joan Sims, Peter Butterworth and Bernard Bresslaw while Patsy Rowlands grabs her last major supporting role and Liz Fraser pops in her for her first appearance in the series since Cabby twelve years before.

Further reading: Carry On Blogging: Carry On Behind, A Guilty Pleasure
Carry On Blogging: My Top Ten Carry Ons - Carry On Behind



15.10 - Carry On Camping (1969)


Camping, made in the Autumn of 1968, features series regulars Sid James, Joan Sims, Charles Hawtrey, Bernard Bresslaw, Hattie Jacques, Barbara Windsor, Kenneth Williams and Peter ButterworthSid Boggle (Sid James) and his friend Bernie Lugg (Bernard Bresslaw) are partners in a plumbing business. They take their girlfriends, prudish Joan Fussey (Joan Sims) and meek Anthea Meeks (Dilys Laye), to the cinema to see a film about a nudist camp called Paradise. Sid has the idea of the foursome holidaying there, reasoning that in that environment their heretofore chaste girlfriends will relax their strict moral standards. Sid easily gains Bernie's co-operation in the scheme, which they attempt to keep secret from the girls.

Further reading: Carry On Blogging: My Favourite Scene- Carry On Camping 
Carry On Blogging: The Chayste Place Girls 


You can follow me on Twitter @CarryOnJoan and on Instagram

Thursday, 22 March 2018

My Top 20 Favourite Carry On Actors: Number 16 - Julian Holloway



This is part of a brand new series of blogs where I will take a purely personal look at my favourite Carry On actors. I will be doing a countdown of my top twenty actors and actresses in this, the sixtieth anniversary year of Carry On. So why top twenty? Well top ten didn't allow me to include all my favourites and any more than twenty and I'd be at it forever, as it were.

This top twenty will be a mix of regular top team actors and many of those instantly recognisable supporting actors who popped in and out of the series, adding superb cameos here and there. You will probably agree with some of my main choices and be vehemently opposed to others, but it's meant to encourage debate! 

So here we go with Number Sixteen: that excellent, talented cheeky chappie - Julian Holloway.

 

Julian Holloway, as with Marianne Stone, Patsy Rowlands and Peter Gilmore, inhabited that grey area between supporting actor and main team member. He first appeared in the series in a small role as a ticket collector in Follow That Camel in 1967. Obviously catching the eye of Peter and Gerald, he was soon back for another small cameo as the man carrying out the xray on poor Frankie Howerd in Carry On Doctor. 1968 proved a big year for Julian as he peaked in the Carry Ons, playing his two biggest roles - as Shorthouse in Up The Khyber and Jim Tanner in Carry On Camping.

The absence of Jim Dale from the main team line up meant Julian had more to do than usual and it would seem he was even considered as a replacement in the role of young male romantic lead. Camping was the only time Julian was billed as a main team member however sadly some of his scenes with Tricia Noble (playing his love interest) were cut from the film and the role was reduced. Julian played eight roles in the Carry On films and also played several roles in the 1973 Carry On Christmas television special.

Julian was always worth watching in the Carry Ons and had that mischievous twinkle that made him the perfect fit for the bawdy, very British comedies. He made a great right hand man for Sid James in Carry On Henry, memorably flirted with Imogen Hassall in Carry On Loving and was a much-needed familiar face in the otherwise dreadful Carry On England in 1976. Despite never quite making the official top team, I can't imagine the Carry On films without him.



So Julian Holloway comes in at Number 16 in my top twenty list of favourite actors. Who'll be next?

You can follow me on Twitter @CarryOnJoan on Facebook and on Instagram

Tuesday, 20 March 2018

Carry On Blogging Interview: Patricia Franklin (Part 1)

 

It was an absolute joy to ring up the actress Patricia Franklin for a good old natter this afternoon. Patricia will be familiar to Carry On fans for her appearances in five films in the series between 1968 and 1976 as well as the big screen version of Bless This House. I wanted to find out more about Patricia's time making the films but also a whole lot more about her acting career. 

First of all I'd love to know what made you want to become an actress?

It was quite strange. I was appearing in a matinee at the National Theatre some years ago when I was told there was someone at the stage door to see me. It was one of my old teachers who had come to see the play with her family. She told me that when I was at school I said one day that I wanted to become an actor. I said I didn't believe I'd said such a thing but she was certain! 

When I was at school we had put on a play with me in the part of Red Riding Hood and my younger sister as Bo Peep. I could remember all the lines really easily and my sister couldn't. The boy playing the lead ended up ill and the teacher wanted someone to take over who could learn lines quickly. My sister told the teacher I could so I ended up in the lead playing a boy! I had long pigtails and had to tuck them up under a hat! Perhaps my teacher was right after all.

 

And how did you get started?

My mother was always very encouraging. We used to go to the cinema together and I remember us seeing the film Cat On A Hot Tin Roof with Elizabeth Taylor. We found out that the local amateur theatre was putting on a production so we went to see it and started going along quite regularly. We noticed that they ran classes for students and my mum said I should join, so I did. This place became the Mountview in North London which is now a very respected theatre school. A couple of actors who were in the amateur productions with me went on to RADA (Royal Academy of Dramatic Art) so I thought that's where I wanted to go too. My dad was quite strict but agreed I could apply as he liked the sound of the "Royal" part! Anyway I got in and that was me.

Can you tell me more about your first professional role?

Well I left RADA in the July of 1967 and I got my first agent at the end of term show we put on, Tis Pity She's A Whore. Greg Smith saw the show and told me he liked my work and wanted to represent me. Greg was part of an agency called Busby Management at that time and of course went on to produce films, most notably the Confessions series. He very quickly got me three auditions and I think my very first role was in a television series called At Last The 1948 Show for ITV. It was a sort of sketch show and I played lots of little parts in various scenes. It was created by Graham Chapman, John Cleese and Marty Feldman and it came along just before Monty Python. Just after that I got a commercial for Oxo and then I had my first introduction to some of the Carry On team in a theatrical farce at the Whitehall Theatre called Uproar in the House.

I spent nine months in the West End doing Uproar in the House and I had a really good, big part in that. It was great stuff to do and the cast was Joan Sims (who became a great friend at the time), Peter Butterworth and Nicholas Parsons. They were all lovely to me - Joan's dressing room was on one side of mine and Peter's on the other. Joan and I used to laugh a lot. And Peter's wife Janet Brown would often come in afterwards with their children. Years later I attended a special Carry On screening in London and Tyler Butterworth was there. I told him I'd last met him when he was a little boy in his dad's dressing room at the Whitehall. 

 

Can you tell me more about how you came to be a part of the Carry On films?


Well it was through that farce at the Whitehall really. Peter Rogers and Gerald Thomas came to see the show and they liked what I was doing in it and it went from there. Peter Rogers then had a conversation with my agent and I remember being down on location when they were filming Carry On Camping. It was a scene where Terry Scott was going up the road into his house. I watched it being filmed and after that Peter and Gerald asked if I would like to be in the Carry On film and I said "Yes please!"

How did you find Peter Rogers and Gerald Thomas to work with?

Oh they were great to work for. I know there have been lots of stories of them not paying their actors well and all the rest of it and there was that side to it but my experience was great. I played little character parts, just popping in for what I'd call "a lovely day out". Gerald was a lovely person, he was very paternalistic towards me. i think he had three daughters and every time I was cast in one of the films I seemed to have just had another child and he always asked after them all. I thoroughly enjoyed working for him and I loved the opportunities they gave me to play so many very different parts. 

I remember Peter Rogers asking for me for a part in one of the films and he went through my agent as I was working in Sheffield at the time. I was about eight months pregnant at the time, about to give birth. They were trying to persuade me to get on a train and come back to play the part and I had to explain my situation. Turned out the part involved wearing a bikini so there's no way I could have played it! But it was lovely to be remembered and asked back and it was always such jolly fun to be a part of.


Your first role in the series was in Carry On Camping in 1968. What are your memories of working on that one with Charles Hawtrey and Derek Francis?

Oh they were both lovely and very professional. It was all done very quickly and mine was quite a small part really. I just remember us getting on with it and having a lot of laughs about how silly the scene was, well it was quite ridiculous really, but they were both very straight forward and professional when it came to shooting the scene. Charles was such a unique character and I know there have been stories in the newspapers about him over the years but I honestly didn't have a problem with him or with any of the main actors. He was absolutely charming to me, they all were. The film was made at such a pace there was no time for egos! 

I was recently having a look at some papers in Gerald's archive at the BFI and I came across one of your Carry On contracts!

Oh how much was I paid, I bet it wasn't much!!

£30!

Well there you go!

I wanted to ask you about it as the contract was actually for one of the Carry Ons you didn't end up doing. The part was a Night Nurse in Carry On Again Doctor in 1969. Can you remember why you didn't do it?

Oh that's right! I think that was after Camping. I was doing something in the theatre at the time and I don't think the schedules worked out so they must have re-cast the role.

That must be it - it says on the contract that you were appearing in a play at the Royal Court theatre at the time. 

Yes, I was in a very demanding play at the Royal Court in 1969 called Saved, by Edward Bond. Quite a different job from one of the Carry Ons!




Watch out for Part Two of my interview with the wonderful Patricia Franklin, coming up soon. Find out what she had to say about returning to the Carry Ons to work with the likes of Kenneth Williams, Liz Fraser and Patsy Rowlands. And find out more about Patricia's brilliant career on stage and how she got back stage to meet a certain Mr Albert Finney while he was performing in Billy Liar!

I'd like to thank Patricia for agreeing to the interview. And also many thanks to Sarah at Beresford Management and to the lovely Andrew Lynford for helping to set it all up!



You can follow me on Twitter @CarryOnJoan on Facebook and on Instagram

Wednesday, 27 September 2017

Whatever Happened to Anna Karen?


I'm continuing my occasional series of blogs on some of the lesser known stars of Carry On today by looking at the life and career of an instantly recognisable actress. Anna Karen may only have played very small roles in two Carry Ons, but she's had a long career in television and film and holds a very strong Carry On connection to this day - namely her best friend, a certain Miss Barbara Windsor.

Anna first appeared in the Carry On films in October 1968 when, at the age of 32 she played one of the girls at Chayste Place Finishing School in Carry On Camping. Although featured throughout the film, Anna has little if any dialogue however her role is often remembered for the legendary cat fight in the school between her character and Babs, played by none other than Barbara Windsor. One can only imagine the fun Anna and Barbara had on location with the likes of Kenneth Williams, Charles Hawtrey and Hattie Jacques in toe!


Anna returned to Pinewood Studios to work for Peter Rogers and Gerald Thomas two years later when she cropped up in the final scenes of Carry On Loving. This dating agency comedy, very much a follow up and tribute to the earlier classic black and white Carry On Regardless, sees Sid James and Hattie Jacques run a rather hit and miss matrimonial agency. The climatic farcical wedding banquet scene at the end sees the action descend into a cake fight with the best the Pinewood canteen could provide flying everywhere. Anna pops up as a disgruntled new wife, partnered with the legendary farceur Lauri Lupino Lane. Another pretty wordless role, poor Anna suffers for her art with a jelly down the front of her decolletage. 

Of course Anna did go on to bigger and better things. These days she is known for two roles on the small screen in particular. In 1969 she found lasting fame as Olive, the put upon, rather dowdy, bespectacled sister of Stan and wife of Arthur in the LWT sitcom On The Buses. Starring alongside Reg Varney, Stephen Lewis, Doris Hare, Michael Robbins and Bob Grant, this bus garage comedy ran until 1973 and proved to be a huge success in the ratings. It also led to three spin-off films, all featuring the same cast and made at Elstree Studios. The first was On The Buses in 1971, followed by Mutiny On The Buses in 1972 and finally Holiday on the Buses the following year. All very much followed the same story arc and featured similar situations. I must admit that although I recognise their lasting popularity, this series and the films they spawned are probably amongst my least favourite of their genre. 

Anna's other best-remembered television role came over two decades after On The Buses. In 1996 she was reunited with Carry On co-star and long-time friend Barbara Windsor when she joined the cast of EastEnders to play Aunt Sal, sister to Windsor's character Peggy. Although never a regular character, Anna has continued to appear in the BBC soap opera over the years, mainly at big events such as weddings and funerals. I always appreciate such continuity in programmes like EastEnders and the chemistry between Karen and Windsor made for some very believable scenes. Anna last appeared in the show when Sal attended Peggy Mitchell's funeral in 2016 after Barbara decided to bow out of the role. 

Anna would work for Ronald Chesney and Ronald Wolfe, the writers of On The Buses, on two further television projects during her career. The first of these was a short-lived period variation on The Rag Trade called Wild, Wild Women. Set in 1902, it featured a very similar set up to the earlier comedy series and starred Barbara Windsor, Pat Coombs and Joan Sanderson. Sadly it only made it to one series as it failed to ignite the interest of viewers. Nearly a decade later when Chesney and Wolfe were asked to bring back their earlier hit The Rag Trade, this time for LWT, they called upon the services of Anna Karen once again. Running between 1977 and 1978, the updated show saw original stars Peter Jones and Miriam Karlin reprise their roles as Harold Fenner and Paddy Fleming with new additions including future EastEnders actress Gillian Taylforth and Carry On England star Diane Langton. Anna played Olive Rudge, her character from On The Buses!


Anna Karen was actually born Ana Caren Krege in South Africa in September 1936. Apparently, one of her first jobs in the profession after arriving in London was as a strip tease artist and dancer in the Panama Club in the capital's West End. By the mid 1960s she had broken into the world of film with appearances in the likes of The Sandwich Man (1966), Ken Loach's Poor Cow (with Carol White) in 1967, the sex comedy What's Up Nurse (1978) and more recently as Marlene in the 1996 film Beautiful Thing. On television, other roles have included appearances in Dixon of Dock Green, And Mother Makes Five, The Dick Emery Show, The Kenneth Williams Show, Super Gran and Roland Rat: The Series! 

Living in Essex for most of her life, Anna was married to the actor and comedian Terry Duggan from 1967 until his death in 2008. As well as continuing with occasional appearances in television and on film, Anna has also taught drama at an arts academy in Hornchurch, Essex. Despite some ill health in recent years, Anna still pops up in documentaries and chat shows, most recently seen in Channel 5's tribute to Dame Barbara Windsor as the star turned 80. 


You can follow me on Twitter @CarryOnJoan on Facebook and on Instagram