Showing posts with label Carry On Henry. Show all posts
Showing posts with label Carry On Henry. Show all posts
Sunday, 18 November 2018
Remembering John Bluthal
As reported yesterday, the actor John Bluthal very sadly passed away at the age of 89 on 15 November. John was a very interesting actor who lived a very interesting life and appeared in all manner of productions during a long and successful career. Probably best remembered to modern audiences as Frank Pickle in the Dawn French BBC comedy, The Vicar of Dibley from the 1990s, Bluthal had a career on stage and screen dating back to the 1950s and he was still working earlier this year.
I remember being somewhat surprised to see a familiar British comedy face in the 2016 big budget Hollywood film, Hail Caesar, which starred none other than George Clooney. Yes, John was there, aged 85, playing Professor Marcuse in the Coen Brothers' epic. I shouldn't have been surprised as John's career included working with the very best, wherever they happened to be. Born in Poland in August 1929, the young John relocated to Australia in 1938, as Europe stood on the ominous brink of war. Growing up in Australia, it was here John made his first steps towards life as an actor. He would continue to appear on stage, television and film in Australia throughout his career and spent much of his time there.
Indeed one of his earliest links to Britain was founded in Australia when he first worked with Spike Milligan, who would become a regular co-star, on the 1958 television special The Gladys Half Hour. Once settled in Britain, John would go on to work with Spike on television and radio, probably most famously on Spike's show, Q.
On stage, John Bluthal was active as soon as he arrived in the UK. He played Fagin in Oliver!, replacing Ron Moody in 1960. He also worked a great deal at the National Theatre in London. John appeared in such productions as The Taming of the Shrew, The Winter's Tale, The Tempest and Peter Hall's Antony and Cleopatra, which starred Anthony Hopkins and Judi Dench.
Of course John also became a familiar face on the big screen as I've already mentioned. There were three supporting roles in the Carry Ons of course - he first joined the series in 1964 when he played the Head Waiter at the Cafe Mozart in Carry On Spying. John, known for his amazing range of voices, also dubbed Judith Furse's performance as the fiendish Dr Crow. Three years later John played Corporal Clotski, second in command to Phil Silvers in Follow That Camel. And finally, Bluthal had an uncredited cameo as the Royal Tailor in the 1970 film Carry On Henry. Bluthal also made small appearances in two of Betty Box's Doctor films - see if you can spot him in Doctor in Distress (1963) and Doctor in Trouble (1970).
John teamed up with his Camel co-star Phil Silvers once more, in the 1967 musical comedy film, A Funny Thing Happened on the Way to the Forum, which also featured Peter Butterworth. And in 1973 he played Jerry in the Jim Dale/Angela Douglas children's film adventure, Digby, the Biggest Dog in the World. Other films included The Beatles' film Help (1965), Casino Royale (1967), The Return of the Pink Panther (1975), Superman III (1983), Labyrinth (1987), The Fifth Element (1997) and Love's Brother (2004).
On the small screen, one of Bluthal's earliest roles in the UK was in the 1960 series CItizen James. He appeared in five episodes as Charlie, alongside Sid James and Liz Fraser. He went on to appear with Eric Sykes and Hattie Jacques in their BBC sitcom, Sykes And A … in 1961, starring in the episode Sykes And A … Bath. He returned the same year for Sykes And A …Mission and also appeared in the colour series in 1974. Also in 1961, John appeared alongside Tony Hancock in The Radio Ham in the TV series, Hancock. Other appearances included guest spots on a whole host of series such as The Avengers, Bergerac, The Saint, 'Allo 'Allo, Minder and Inspector Morse. Probably his best remembered role from his early television work was as Manny Cohen, the Jewish tailor in the long running ITV sitcom Never Mind the Quality, Feel the Width. A total of 40 episodes were made between 1967 and 1971. It even led to a film spin off in 1973.
Bluthal found a new level of fame as Frank Pickle in the Dawn French ensemble comedy The Vicar of Dibley, which ran on BBC1 between 1994 and 1998, returning for a whole host of specials right up to 2013. The cast featured the likes of Gary Waldhorn, Trevor Peacock and Liz Smith. Bluthal appeared in all twenty episodes. French paid a warm, loving tribute to John on Twitter yesterday, remembering all their happy times together on set. John continued to act until earlier this year, with recent appearances including the already mentioned Hail, Caesar, a film called Jungle, starring Daniel Radcliffe, released last year and his final work, a short film called By Any Other Name.
Rather touchingly, John's final appearance saw him working with his daughter, Lisa. By Any Other Name is a whimsical take on an old man's life with Alzheimer's Disease, and how his daughter copes with his illness, by singing songs from musical theatre. John plays Bernie Berman and his daughter Lisa plays his screen daughter Rose. Lisa also wrote and directed the film.
We have seen several well loved actors with Carry On connections leave the stage this year, from Bill Maynard and Peter Byrne to Liz Fraser, Fenella Fielding and now John Bluthal. It's always extremely sad to lose another link to past glories and we all cherish their many fantastic performances over the years. The one comforting thing about all these names is that they lived, without exception, long and full lives. Yes, we are sad they are gone, but thankfully we have many wonderful films and television shows to remember them by.
Rest in peace John Bluthal.
You can follow me on Twitter @CarryOnJoan and on Instagram
Tuesday, 31 July 2018
Guest Blog: Carrying On Historically with Carry On Henry
In this fabulous guest blog, regular blog reader Deborah Osborne writes about the historical aspects of the brilliant 1970 Carry On comedy, Carry On Henry. So how historically accurate was Henry or was it, as the film itself suggests, all cobblers! Read on to find out:
As a history lover
the costume Carry Ons have always been some of my favourites. Part of that
attraction is seeing how the past is presented in films that don't have to take
themselves seriously.
I chose Carry on
Henry for this post because the Tudors have always been some of the main
historical players in our cultural identity and there have been a number of
popular screen adaptations that were contemporary with Carry On Henry
(specifically Anne of a Thousands Days which lent costumes to Henry) and
recently, most notably Wolf Hall in 2015.
However in a world
where Hilary Mantel’s portrayal of Thomases Cromwell and Moore are criticised,
how accurate can a comedy be? Especially when the film itself opens by freely
admitting that it is ‘all cobblers’.
The film starts with
Patsy Rowlands beautifully playing a queen about to lose her head. We never
find out which of Henry's six canon queens she is. (Possibly Anne Boleyn? But I
challenge anyone to make this fit the rest of the film).
Which queen is not as
important as the fact that everybody knows Henry VIII had six wives and
executed some of them. In the same way everyone will recognise the names
Cromwell and Woolsey, and know that Henry was having trouble Rome.
There are enough
‘facts’ in Henry to make it feel familiar and comfortable, even though those
facts have all been screwed out of sequence and then melted down in the same
pot. We can still recognise the flavour of the past and slide into the scenery like
it's a well worn jacket.
The film plays on
what we think we know and enables us to share the joke by pushing that to the
very extreme of sanity. Henry and Cromwell don't even wait for Queen Patsy’s
head to hit the scaffold before they are dashing through the tower to attend
Henry's next wedding to Queen Marie, played by the glorious Joan Sims. Barely
married a day and Henry is already plotting divorce.
This is also true of
Sid James as Henry himself, which appears in the Independent’s 2015 top eight portrayals of the monarch along
with Damien Lewis and Homer Simpson(!). There is bluster, overturned tables and
summary executions a plenty, while at the same time Henry never really seems to
be the one in control. It is great fun to see a Henry who is constantly being
out maneuvered by the women (and lackeys) he is seeking to intimidate.
There are some huge
historical whoppers in Carry on Henry (Fawkes and his gunpowder, not to mention
two extra queens) but equally there are some moments that make the film’s
backdrop feel almost authentic.
There are several
scenes between Cromwell and Woolsey that reek of (as well as lampoon) the
conspiracy, intrigue and corruption traditionally associated with the Tudor
Court.
My favourite bit is
after Henry has married Marie, without seeing her face, and he asks Cromwell
how she looks. I'd love this to be a nod towards the story of Anne of Cleves
being misrepresented to Henry by Cromwell and the incident that contributed to
his eventual execution.
Then again, perhaps
it is all cobblers after all?
Thanks very much to Deborah for taking the time to write and submit this fascinating post. You can follow Deborah on Twitter @deboraheosborne.
And if you fancy having a bash at a guest blog all of your own, drop me a direct message on Twitter and we'll have a chat!
Wednesday, 28 March 2018
What a Carry On this Easter Monday!
This Easter weekend sees ITV3 once again roll out several classic Carry On films for your viewing pleasure. In what has become a bit of a tradition on the ITV station, any bank holiday weekend seems the right time to trot out some tried and trusted Pinewood favourites and why not?
Over the course of Saturday, Sunday and Monday, ITV3 will be showing a range of wonderful Carry On films, so stay tuned to the blog for the low down on which films will be showing and when.
07.05 - Carry On Cowboy (1965)

Carry On Cowboy is the eleventh in the series to be made. It was released in 1965, and was the first film to feature series regulars Peter Butterworth and Bernard Bresslaw. Series regulars Sid James, Kenneth Williams, Charles Hawtrey, Jim Dale and Joan Sims all feature, and Angela Douglas makes the first of her four appearances in the series.
Further reading: Carry On Blogging: My Favourite Scene - Carry On Cowboy
Carry On Blogging Interview: Angela Douglas
08.55 - Carry On Behind (1975)
I have such a soft spot for this one, pretty much Carry On Camping: The Revenge! Swapping a bunch of holidaymakers in tents for a bunch of holidaymakers in caravans, this is probably the most 70s of all the Carry Ons made in that very dodgy decade! With the likes of Hattie Jacques, Barbara Windsor and Sid James absent from in front of the camera and Talbot Rothwell handing over his writing duties to Dave Freeman, times were a-changing. Glamorous, exotic international guest star Elke Sommer adds some fresh talent to proceedings while then current stars of the small screen such as Ian Lavender, Adrienne Posta, Sherrie Hewson and Windsor Davies bolster the slimmer than usual ranks of top class Carry On talent. Don't worry, the broad comedy is still ably delivered by Kenneths Williams and Connor, Joan Sims, Peter Butterworth and Bernard Bresslaw while Patsy Rowlands grabs her last major supporting role and Liz Fraser pops in her for her first appearance in the series since Cabby twelve years before.
Further reading: Carry On Blogging: Carry On Behind, A Guilty Pleasure
Carry On Blogging: My Top Ten Carry Ons - Carry On Behind
10.45 - Carry On Dick (1974)
Not one of my favourites by any means, but Dick is a memorable milestone in the history of the Carry Ons, although perhaps not for all the right reasons. This period feature, providing a comic retelling of the legend of Dick Turpin, stars Sid James, Barbara Windsor and Hattie Jacques, all in their last roles in the film series. Sid grabs the impressive dual role of Big Dick and the Rev Flasher and in many ways it's a bit of a retread of Don't Lose Your Head. It's still a great acting performance though. Kenneth Williams works well with Jack Douglas the law enforcers trying to capture Big Dick however stalwarts Joan Sims, Patsy Rowlands and Peter Butterworth are all given little to do. This was also the last film written by Talbot Rothwell as ill health prevented any further involvement in the series.
Further reading: Carry On Blogging: Carry On Dick - A Fitting Farewell?
Carry On Blogging: Barbara Carries On as Harriet
Carry On Blogging: Joan Carries On as Madame Desiree
12.30 - Carry On At Your Convenience (1971)
The first Carry On to fail at the box office, this one is now hailed as a classic of its kind. Tackling the thorny issue of trade unions put off the films' core audience when the film was released but Convenience is arguably the purest Carry On of them all. A wonderful prime cast of favourites headed by Sid James, Kenneth Williams, Joan Sims, Bernard Bresslaw, Hattie Jacques and Charles Hawtrey and a bigger than usual supporting turn from fan favourite Patsy Rowlands make this toilet factory farce hard to resist! Throw in a memorable trip to Brighton and you're all set for a joyous lesson in labour relations!
Further reading: Carry On Blogging: My Top Ten Carry Ons: Convenience
Carry On Blogging: Why Was Convenience Such a Flop?
Carry On Blogging: My Favourite Scene in Convenience
14.15 - Carry On Henry (1971)

Carry On Henry is the 21st in the series of Carry On films to be made and was released in 1971. It tells a fictionalised story involving Sid James as Henry VIII, who chases after Barbara Windsor's character Bettina. James and Windsor feature alongside other regulars Kenneth Williams, Joan Sims, Terry Scott, Charles Hawtrey and Kenneth Connor. This was the first time that Williams and Connor appeared together since Carry On Cleo seven years previously. The original alternative title was to be Anne of a Thousand Lays, a pun on the Richard Burton film Anne of a Thousand Days, and Sid wears exactly the same cloak that Burton wore in that film.
Further reading: Carry On Blogging: Barbara Carries On as Bettina
Wednesday, 7 March 2018
Connor Carries On ... As Lord Hampton of Wick!
Next
June will mark Kenneth Connor's centenary. This feels like the right
time to celebrate the man's legacy and what better a legacy that his
seventeen glorious performances in the Carry On films. As I've already
done with the three main leading ladies of the series, I plan to embark
on a series of blogs profiling each of Kenneth's roles in the Carry Ons,
giving my own take on his contributions.
Kenneth is another one of those actors who worked steadily, prolifically and across all mediums throughout his career. From his very early days in film before the outbreak of World War Two, through the 1950s which saw him become an integral part of British radio comedy to the Carry Ons and his unforgettable roles in several 1980s sitcoms, Connor was an incredibly gifted actor. He worked right up until his death at the age of 75 in November 1993. However unlike Sid, Kenneth Williams or Barbara Windsor, I feel that Connor never really got the credit he deserved. He didn't have an outrageous private life, no scandals to be told. He shunned the limelight and his many performances as the ordinary man in the street mirrored his own life away from the cameras.
Kenneth was also one of the precious few actors who's career spanned pretty much the entire run of the Carry Ons. He was there at the very beginning in Carry On Sergeant and, a five year gap in the mind 1960s aside, remained loyal to the films until the very end of the original run in 1978. Connor, along with Williams and Eric Barker were the only actors to appear in the very first and the very last of the series. Kenneth was still around when Columbus was made in 1992 but declined to take part, probably very wisely. This new series of blogs will be a celebration of all those wonderful comedy performances in the Carry Ons - from bumbling romantic lead through to crumbling character parts, Kenneth could play them all.
So let's continue with Kenneth's tenth role in the series, as Lord Hampton of Wick in the 1970 film, Carry On Henry!
Henry, the twenty first Carry On film to go into production, was a rather lavish film, at least by Carry on standards. The setting, the costumes, the dance routines, everything was a cut above. This retelling of the story of Henry VIII went into production at an extremely fortuitous time for Peter Rogers, with a renewed interest in the famous monarch in the early 1970s, both on the small and the big screen. The film provides Sid James with one of his best ever roles and as Henry he chews up the scenery was comedic relish, whether it's throwing over tables in the dining room, showing the likes of Terry Scott and Kenneth Williams who is the boss or chasing buxom wenches in the form of Margaret Nolan and Barbara Windsor, Sid is definitely in charge.
The film is a comic retelling of Henry's story, although initial scenes depicting Patsy Rowlands going to the block to have her head chopped off did commence proceedings with a dash of realism. It's not long though before Williams and Hawtrey are mincing about the palace and Joan Sims is attempting to convince the King that garlic is an aphrodisiac... Good luck with that one! Joan plays Henry's new French queen, Marie, and although they get off to a promising start, soon the odour of garlic puts the tin lid on any consummation. So, Henry does what he always does and start to look around for a replacement wife. Of course Marie's French heritage throws a spanner in the works, especially when her brother Francis (Francie!) comes to visit. This provides Peter Gilmore with one of his biggest and most outrageous Carry On supporting turns and his double act with Sid is a joy.
Kenneth Connor meanwhile has one of his smallest roles in the Carry On films. As Lord Hampton of Wick, Kenneth only really appears about half way through the film and the role of Hampton is played pretty straight. The majority of Henry is dominated by the likes of Sid, Joan, Terry Scott and Kenneth Williams. This is not to say Kenneth Connor puts in a bad performance, far from it. He is very believable in the role of Hampton, just unfortunately does not have a huge amount to do. Compared to earlier roles in the likes of Teacher, Nurse and Cruising, Carry On Henry marks a significant seachange for Connor as he transitions from leading man to character player.
As Lord Hampton, Connor is a rather dark, backroom schemer who Kenneth Williams' Thomas Cromwell calls upon to help him oust Queen Marie (Sims) by kidnapping the King (James). Unfortunately the plot is bungled and Cromwell is sent to the Tower. Connor's scenes are mainly with Kenneth Williams and the other members of his gang which include reliable supporting actors Bill Maynard (in his second Carry On) and Norman Chappell (returning the series for the first time since Carry On Cabby in 1963 (although he had filmed a cameo for Carry On Loving which was cut). Connor the serious actor definitely puts in a strong appearance in Henry and the costumes, the sets and his dramatic turn really does add kudos to the production. I just wish he'd had a bigger part, as it were.
At the end of the film, while Williams and Scott meet a sticky end at the hands of a great big chopper, King Sid is reunited with his Queen and Kenneth's Lord Hampton becomes Sid's right hand man.
Stay tuned for my blog on Kenneth Connor's next role in the series, in the 1971 film Carry On Matron.
You can follow me on Twitter @CarryOnJoan on Facebook and on Instagram
Kenneth is another one of those actors who worked steadily, prolifically and across all mediums throughout his career. From his very early days in film before the outbreak of World War Two, through the 1950s which saw him become an integral part of British radio comedy to the Carry Ons and his unforgettable roles in several 1980s sitcoms, Connor was an incredibly gifted actor. He worked right up until his death at the age of 75 in November 1993. However unlike Sid, Kenneth Williams or Barbara Windsor, I feel that Connor never really got the credit he deserved. He didn't have an outrageous private life, no scandals to be told. He shunned the limelight and his many performances as the ordinary man in the street mirrored his own life away from the cameras.
Kenneth was also one of the precious few actors who's career spanned pretty much the entire run of the Carry Ons. He was there at the very beginning in Carry On Sergeant and, a five year gap in the mind 1960s aside, remained loyal to the films until the very end of the original run in 1978. Connor, along with Williams and Eric Barker were the only actors to appear in the very first and the very last of the series. Kenneth was still around when Columbus was made in 1992 but declined to take part, probably very wisely. This new series of blogs will be a celebration of all those wonderful comedy performances in the Carry Ons - from bumbling romantic lead through to crumbling character parts, Kenneth could play them all.
So let's continue with Kenneth's tenth role in the series, as Lord Hampton of Wick in the 1970 film, Carry On Henry!
Henry, the twenty first Carry On film to go into production, was a rather lavish film, at least by Carry on standards. The setting, the costumes, the dance routines, everything was a cut above. This retelling of the story of Henry VIII went into production at an extremely fortuitous time for Peter Rogers, with a renewed interest in the famous monarch in the early 1970s, both on the small and the big screen. The film provides Sid James with one of his best ever roles and as Henry he chews up the scenery was comedic relish, whether it's throwing over tables in the dining room, showing the likes of Terry Scott and Kenneth Williams who is the boss or chasing buxom wenches in the form of Margaret Nolan and Barbara Windsor, Sid is definitely in charge.
The film is a comic retelling of Henry's story, although initial scenes depicting Patsy Rowlands going to the block to have her head chopped off did commence proceedings with a dash of realism. It's not long though before Williams and Hawtrey are mincing about the palace and Joan Sims is attempting to convince the King that garlic is an aphrodisiac... Good luck with that one! Joan plays Henry's new French queen, Marie, and although they get off to a promising start, soon the odour of garlic puts the tin lid on any consummation. So, Henry does what he always does and start to look around for a replacement wife. Of course Marie's French heritage throws a spanner in the works, especially when her brother Francis (Francie!) comes to visit. This provides Peter Gilmore with one of his biggest and most outrageous Carry On supporting turns and his double act with Sid is a joy.
Kenneth Connor meanwhile has one of his smallest roles in the Carry On films. As Lord Hampton of Wick, Kenneth only really appears about half way through the film and the role of Hampton is played pretty straight. The majority of Henry is dominated by the likes of Sid, Joan, Terry Scott and Kenneth Williams. This is not to say Kenneth Connor puts in a bad performance, far from it. He is very believable in the role of Hampton, just unfortunately does not have a huge amount to do. Compared to earlier roles in the likes of Teacher, Nurse and Cruising, Carry On Henry marks a significant seachange for Connor as he transitions from leading man to character player.
As Lord Hampton, Connor is a rather dark, backroom schemer who Kenneth Williams' Thomas Cromwell calls upon to help him oust Queen Marie (Sims) by kidnapping the King (James). Unfortunately the plot is bungled and Cromwell is sent to the Tower. Connor's scenes are mainly with Kenneth Williams and the other members of his gang which include reliable supporting actors Bill Maynard (in his second Carry On) and Norman Chappell (returning the series for the first time since Carry On Cabby in 1963 (although he had filmed a cameo for Carry On Loving which was cut). Connor the serious actor definitely puts in a strong appearance in Henry and the costumes, the sets and his dramatic turn really does add kudos to the production. I just wish he'd had a bigger part, as it were.
At the end of the film, while Williams and Scott meet a sticky end at the hands of a great big chopper, King Sid is reunited with his Queen and Kenneth's Lord Hampton becomes Sid's right hand man.
Stay tuned for my blog on Kenneth Connor's next role in the series, in the 1971 film Carry On Matron.
You can follow me on Twitter @CarryOnJoan on Facebook and on Instagram
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