Actor and writer Jack Lane has received rave reviews for his play Wisdom of a Fool. The play covers the life and career of the legendary British comedy actor and comedian Sir Norman Wisdom. I caught up with Jack recently to find out more about his fascination with Wisdom and how his play came about...
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First of all, It would be great to find out more about how you came to be an
actor?
I'd always been
fascinated with Cinema and Theatre from an early age. Towards the end of my
school years I became involved with a local amateur dramatics society and began
working backstage and in projection rooms at my local Theatre. I initially
never intended to tread the boards. I worked as a Theatre Technician for ten
years. It gave me the unique opportunity to learn every aspect of theatre. By
working on hundreds of productions I was gauging what an audience does and
doesn't respond to. The first time I felt the need to perform was
after seeing my first west end musical, Mel Brooks' The Producers. I was
in awe of the lead character Max Bialystock. The entire production blew me
away both musically and comically. But it was the character I'd
fallen for, how he made me feel. I wanted to evoke those same feelings in
an audience. To tell a story and take them on a journey. It's been my
passion ever since. I was asked to perform a number in a review show shortly
after seeing it by a local company and that's where it all began.
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Can you remember when you first became interested in the life and career of
Norman Wisdom? What is it about Norman that made you want to write a play about
him?
I grew up watching
his films at a young age, I loved his slapstick humour, as I grew older I began
learning about his life and what he'd been through. I wrote to Norman aged 13
and he replied, I guess that stuck with me, that he'd made time to reply. When
he passed away in 2010 I made a promise to myself that I'd attempt to write a
play on his incredible life and career. It's a classic underdog story which the
British have a love affair with. Many comic performers of the era have had
their lives and careers dramatised in some way. Morecambe & Wise have
had three plays, Cooper even more so, some having also made it to a
television drama. But nobody had touched on Norman. Considering his colossal
fame in the 50s and 60s, how important he was to the flagging British film
industry and knowing his background I felt a need to remind everyone
of how incredible his story was.
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Can you tell me a bit more about your play, Wisdom of a Fool? What can the
audience expect from the production?
A
roller coaster of story telling. It's first and foremost a story of a young man
over coming the odds, discovering a gift to make others laugh and pursuing a
passion. It's a hugely uplifting story with some important life
lessons along the way. I wanted audiences to leave with nothing but admiration
and a new found respect for what the lucky little devil achieved in
his life.
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To me, the idea of doing a one man show is incredibly daunting - what's it like
to perform?
Truthfully? It's
exhausting to perform; emotionally, physically and mentally, but to do Norman
justice and to play the type of performer he was, that's simply what's
required. It is daunting, it's tougher than originating a character. You’re
constricted in the skin of someone people already have a reference for. The
hard part is making that look natural and living up to expectation.
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I read that you play over thirty characters in Wisdom of a Fool - first of all,
how is that possible?! And secondly, what kind of issues does that present for
staging the play?
I
spent five months workshopping this back in 2015. Making sure each character
was individual, where I had reference for someone I'd research their
voice and slightly exaggerate it, in the case of Norman's father where
there was no reference, I'd create a character from the information
I'd gathered on them. The issues that can arise is the lack of fluidity when
changing characters, making sure the audience aren't getting confused with
the narrative or that it was looking messy or awkward.
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One of your greatest supporters is the lovely Morris Bright, Chairman of
Elstree Studios. I had the pleasure of meeting Morris last year. How did your
association come about?
Morris
had heard the play was in development and supported us from day one and
attended our opening night. He was a friend of Norman's for many
years. His knowledge, passion and love for not only for Norman but also
the business is infectious. He makes time for everyone which is a rare
quality. He's become a very dear friend.
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Of all Norman's films, do you have a favourite and why?
Tough
question, I do have a soft spot for Follow A Star. It showcases his
every ability; actor, clown, singer and song writer.
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Why do you think Norman Wisdom's popularity has endured over the years?
Skilled
physical comedy will always be funny, quality comic timing will always be
funny. Norman endures because of his universal appeal, much like Chaplin.
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In your opinion why is it important that we continue to honour the legacy of
great British comedians and comedy actors like Norman Wisdom?
To
keep their memory alive for new generations and to enable them to enjoy their
work. Every comic or comedy performer owes them a debt of gratitude. There's
always an influence. You can trace the timeline. For example: Dan Leno -
Charlie Chaplin - Norman Wisdom - Lee Evans. Another would be Sid Field - Eric
Morecambe - Vic Reeves. It's an insight into the evolution of British comedy,
it's influence and culture.
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As I write a blog all about the Carry On films, I must ask if you have a
favourite film in the series and if so, which one?
It's
got to be Carry On Cabby. It's full of those typical Carry On one-liners
and features superb characters. The Taxi chase scene always brings a smile to
my face. Plus it's got Esma Cannon scene stealing at every possible
opportunity!
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Finally, what's up next for you?
I'm
currently filming a short film based on the life of blind marathon runner Dave
Heeley. In August I'll be performing along side David Benson at the Edinburgh
Fringe in the Dad's Army Radio Hour after which I'll go back on
tour with Wisdom of a Fool for the autumn.
Many thanks to Jack for taking the time to answer my questions. You can find out more about his play, Wisdom of a Fool here
Many thanks to Jack for taking the time to answer my questions. You can find out more about his play, Wisdom of a Fool here
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