Showing posts with label Diane Langton. Show all posts
Showing posts with label Diane Langton. Show all posts

Thursday, 7 February 2019

Carrying On with … Confessions of a Pop Performer!


I've written before about the Confessions series of bawdy comedy films from the 1970s but really only from the perspective of the effect they had on the slightly more innocent Carry On films we all cherish. The Confessions films have suffered the same fate as the Carry Ons in that they have frequently been looked down on, written off or just plain criticised.

However these films all featured a superb range of actors and provided entertainment to the masses during years when perhaps the country sometimes didn't have that much to laugh about. What interests me a great deal about these films is how they represent the changing face of British society. By the time Confessions of a Window Cleaner burst onto cinema screens up and down the land in 1974, censorship had been relaxed and a whole new generation were much more liberally minded. 



Last time, I focussed on the hugely popular Confessions of a Window Cleaner, the sexy comedy film which burst onto cinema screens across the country back in 1974 and catapulted leading man Robin Askwith to lasting fame. Today I thought I would move on to the following year and another big hit, Confessions of a Pop Performer. Many of the same original team from Window Cleaner returned for this second outing with recurring actors Bill Maynard, Sheila White and Tony Booth appearing again as the traditional sitcom style family around Robin's Timmy Lea. They provide the grounding and the basis for much of the comedy in between the racier material. Sadly Dandy Nichols did not return to play Mrs Lea after the previous film but she was ably replaced by fellow sitcom legend Doris Hare. Doris would go on to appear in both further Confessions films. 

Val Guest, that legendary British film director, chose not to make another Confessions film, allegedly because his wife wasn't keen on him being on set with so many scantily clad nubile young actresses! Columbia Pictures, the big name backer of these low budget comedies and clearly cleaned up with Window Cleaner (as it were) and were keen for more antics. And Mr Askwith was only too happy to oblige! Pop Performer sees Booth's wheeler dealer character become manager to a dubious pop group called Kipper and Timmy gets involved too. The usual slapstick and naughtiness follows as I'm sure you'll already know.



There are several Carry On links to this film and not just in front of the camera. The brilliant cinematographer Alan Hume, who worked on countless Carry Ons as well as big budget pictures in the Star Wars and James Bond franchises, worked on Pop Performer. Frank Bevis, Production Manager on this film, was also involved in many Carry Ons. Frank was Production Manager on Carry On Sergeant, Nurse, Teacher and Constable and later worked as an Associate Producer on Cabby, Jack, Spying, Cleo, Cowboy and Screaming!

In front of the camera, we've of course got the brilliant Robin Askwith, who had already made a name for himself as Larry in Carry On Girls and as Sid's son Mike in the film of Bless This House. And Bill Maynard, there once again as Mr Lea, appeared in supporting roles in five 1970s Carry Ons. Playing a major supporting role in Pop Performer is the lovely Carol Hawkins as the rather proper journalist, Jill Brown, object of Timmy's affections. Carol had already appeared in Carry On Abroad by this stage, playing Marge and the same year worked with Robin in Bless This House. 1975, the year Pop Performer was made, also saw Carol return to Carry On for a major supporting role as glamorous camper Sandra in Carry On Behind as well as co-starring in two episodes of the ATV series Carry On Laughing. Despite the raunchier material in the Confessions film, Carol maintains her dignity throughout, I hasten to add!



Also appearing is that wonderful comedy character actor Peter Jones. Playing a rather obvious send up of a notorious television host, Peter rather over eggs it as Maxy Naus. Another recruit from the world of television comedy is the great Ian Lavender in a cameo turn as Rodney, which involves a lot of funny business with a pantomime horse! Say no more. Ian  was still appearing as Private Pike in Dad's Army at the time and also in 1975 he cropped up in Carry On Behind as Adrienne Posta's husband. Clearly in the Jim Dale persona, sadly Ian suffered from a lack of screen time. Ian's Dad's Army co-star, the late great Bill Pertwee also pops in for a brief cameo in Pop Performer as the stereotypical angry husband who chases Robin's Timmy off with the help of a javelin! 

Two future Carry On girls made quite an impact in Pop Performer as the aptly named Climax Sisters, a truly awful singing double act! Giving a rather spirited performance are Diane Langton and Linda Regan as Ruby and Brenda Climax. Diane would go on to appear in Carry On Laughing on television the same year and in 1976 would take on the Barbara Windsor persona in the awful Carry On England. Joining Diane in England was Linda Regan who several years before had a small part in one of the Carry On Christmas television specials.



Playing Augustus is that instantly recognisable character actor Robert Dorning. Robert would join what was left of the Carry On team three years later to play The Prime Minister in Carry On Emmannuelle. Also look out for Darth Vader himself, Dave Prowse in a brief cameo as a Man in the Cinema. Dave had played a small role as a Bearded Torturer in Carry On Henry five years earlier. Playing Mr Barnwell is the small screen comedy actor Bob Todd, who had already played two small Carry On roles. He had a wordless cameo as a patient in Again Doctor on the big screen and played two small parts in Carry On Again Christmas in 1970. And finally Carry On Behind cameo player, the Danish born actress Helli Louise, plays Eva, one of Timmy's conquests. We see rather a lot of her here, as did Peter Butterworth in yet another shocking Carry On shower scene also in 1975 when she popped up and out in Carry On Behind. 

Pop Performer clearly cashed in on the very best of British comedy talent from both the big and small screen and followed the pattern started with Window Cleaner in casting a mix of 'interesting' young starlets alongside some instantly recognisable and well respected comedy performers. The content might have dated and may not be for everyone but it's all lighthearted fun and exists today as a fascinating time capsule of a Britain in tumult undergoing great social and cultural change. Watch out for a small cameo from future leading lady Rula Lenska as a rather harrassed receptionist and even a fairly major supporting turn from a pre-The Gentle Touch Jill Gascoine, revealing rather a lot as Mrs Barnwell. 



If the sight of legendary character actress Rita Webb running about a freezing cold Borehamwood housing estate screaming "Have you seen my Fanny?" gives you the giggles, Confessions of a Pop Performer is definitely for you!! As far as I'm concerned, anything that gives us plenty of Bill Maynard, Carol Hawkins and Peter Jones is fine by me. And Robin does what only Robin could. And he does it with aplomb! 

Compared to some of the content we see on our screens these days, Pop Performer is relatively tame but watching it again, it's clear times have certainly changed! It's quite possibly the most gloriously Seventies film I've ever seen. And that's a compliment! 


You can follow me on Twitter @CarryOnJoan and on Instagram

Tuesday, 3 July 2018

Carry On Faces in Different Places: Percy's Progress


Here we go with another in my series of blogs looking at some of the cream of British comedy film making from the 1950s, 60s and 70s. Although this blog is all about the Carry Ons, believe it or not, there were some other joyous comedy films made away from Peter Rogers Productions. However, given the quality of the actors Peter employed to make his series, it's no wonder that most of them popped up elsewhere.

So far I've looked at the wonderful 1959 crime caper Too Many Crooks , the 1954 domestic comedy starring Dirk Bogarde, For Better For Worse , the big screen spin off Please Sir! and the wonderful Up Pompeii and the brilliant John Gregson and Diana Dors vehicle, Value for Money. 
  
More recently I blogged about the Sid James and Kenneth Connor comedy horror What A Carve Up! and the the Gordon Jackson drama, Floodtide. 

I've also looked at the Carry On links with the wonderful film I'm All Right Jack

Recently I blogged about the Billy Fury and Amanda Barrie musical film I've Gotta Horse , the classic 1954 school comedy The Belles of St Trinian's and the 1959 romantic comedy from the Betty Box and Ralph Thomas stable, Upstairs and Downstairs. You can also check out my blog on the 1956 drama Lost

Today I am going to write about a 1974 comedy sequel which saw one of the last films from a producer-director double act of legendary proportions (Betty Box/Ralph Thomas) : Percy's Progress.



What's it about?


Percy is well known in England as the man who had the world's first penis transplant, and is exceptionally well endowed. His rampant conquests of married women cause him to escape incarceration by local authorities.
A chemical is accidentally released into the world's water supply rendering all men impotent. Percy is unaware that he is the only man on earth who can achieve an erection because he was in hiding from the law at sea, drinking nothing but champagne.
When Percy goes ashore to relieve his year-long sexual tension at a brothel, he garners the attention of the British press and subsequently the British government, who then want to use him to repopulate the world. An international pageant is held to find each country's "Miss Conception" representative. At the same time, a team of doctors work to find an antidote to the effects of "P.S.- 123".


Who's in it?

Leigh Lawson heads the cast as Percy. Other well known actors to appear include Denholm Elliott as Sir Emmanuel Whitbread, Vincent Price as Stavos Mammonian, Julie Ege as Miss Hanson, Ronald Fraser as Bleeker and Anthony Andrews as Catchpole. 

Carry On Faces?

Many! Although playing a different character in the previous Percy film, Elke Sommer is back for the sequel this time playing Clarissa. She would lead the cast of Carry On Behind the following year. Another future one off Carry On star to appear in this film is Judy Geeson as Dr Fairweather. Judy would go on to star in Carry On England in 1976.

Carry On Screaming star Harry H Corbett co-stars as the Prime Minister (a spoof of Harold Wilson if ever there was one!). Elke's Carry On Behind colleague Adrienne Posta also co-stars here as PC 217 (Iris). And look out for that wonderful Irish actor Milo O'Shea playing Dr Klein. Nearly ten years before he had the supporting role of Len in my favourite Carry On, Carry On Cabby.

Carry On Matron cameo player Madeline Smith makes another guest appearance in this film, as Miss UK. Gertan Klauber, a small part player in several Carry Ons, also pops up playing Pablo. Two other Carry On faces making small, uncredited appearances in Percy's Progress are Norman Chappell as a Valet and who else but Marianne Stone playing a Reporter.

And before I go, there is of course much glamorous support from a bevy of lovely actresses. Carry On Abroad and Behind star Carol Hawkins plays Maggie; Carry On Dick Bird of Paradise Penny Irving crops up as Chiquita and future Carry On England actress Diane Langton takes the role of Maureen Sugden. Also look out for Carry On Blogging favourite, the actress Judy Matheson, who plays Maria. 





Did you know?

In the United States, the film was released as It's Not the Size that Counts.

Leigh Lawson replaced Hywel Bennett, who had played Percy in the original film of that name three years before. Bennett did not want to reprise the role.

Harry H. Corbett also co-wrote the film, along with Ian La Frenais and Sid Colin (who had contributed to the script of Carry On Spying in 1964). 

Betty Box said they only agreed with Nat Cohen to make a sequel to Percy if he financed The Reckless Years, a film of the Byron-Shelley story. However, Cohen reneged on the deal once Percy's Progress was made.



You can follow me on Twitter @CarryOnJoan and on Instagram

Thursday, 31 May 2018

Happy Birthday Diane Langton!

 

Many happy returns to the actress Diane Langton who celebrates her birthday today. Diane has a long career on stage and screen, is well known to Carry On fans for her performance as Alice Easy in the less than successful Carry On England, released in 1976. 

As the rather busty young Private, Langton was pretty much cast in the Barbara Windsor role in this film and despite the overall film being a complete stinker, she's good in the part. England wasn't Diane's only brush with Carry On though. Way back in 1959 she appeared in a non-speaking role as one of the children in Carry On Teacher. Along with the likes of David Barry, Jeremy Bulloch and Francesca Annis, Diane can be spotted in several crowd scenes. Fast forward to 1975 and Langton joined many familiar faces in the ATV Carry On Laughing television series. Diane appeared in three episodes, which must have led to her being cast in England the following year.

Away from the Carry Ons, Diane has appeared in films like Ray Cooney's Don't Just Lie There, Say Something with Leslie Phillips, Joan Sims and Joanna Lumley and Confessions of a Pop Performer, co-starring with fellow England actress Linda Regan. Diane has also had many stage successes in her career, appearing in the likes of Billy Elliot and Sondheim's A Little Night Music. 

On television, Diane can currently be seen in the Channel 4 soap opera Hollyoaks - she has been part of the cast of this show for nearly a decade. Other roles on the small screen have included the 1970s reboot of The Rag Trade, Only Fools and Horses, Doctors, Heartbeat and EastEnders.

 

Whatever Diane is up to today, I hope she has a wonderful birthday.


You can follow me on Twitter @CarryOnJoan and on Instagram

Wednesday, 31 May 2017

Happy Birthday Diane Langton!

 

Many happy returns to the actress Diane Langton who celebrates her 70th birthday today. Diane has a long career on stage and screen, is well known to Carry On fans for her performance as Alice Easy in the less than successful Carry On England, released in 1976. 

As the rather busty young Private, Langton was pretty much cast in the Barbara Windsor role in this film and despite the overall film being a complete stinker, she's good in the part. England wasn't Diane's only brush with Carry On though. Way back in 1959 she appeared in a non-speaking role as one of the children in Carry On Teacher. Along with the likes of David Barry, Jeremy Bulloch and Francesca Annis, Diane can be spotted in several crowd scenes. Fast forward to 1975 and Langton joined many familiar faces in the ATV Carry On Laughing television series. Diane appeared in three episodes, which must have led to her being cast in England the following year.

Away from the Carry Ons, Diane has appeared in films like Ray Cooney's Don't Just Lie There, Say Something with Leslie Phillips, Joan Sims and Joanna Lumley and Confessions of a Pop Performer, co-starring with fellow England actress Linda Regan. Diane has also had many stage successes in her career, appearing in the likes of Billy Elliot and Sondheim's A Little Night Music. 

On television, Diane can currently be seen in the Channel 4 soap opera Hollyoaks - she has been part of the cast of this show for nearly a decade. Other roles on the small screen have included the 1970s reboot of The Rag Trade, Only Fools and Horses, Doctors, Heartbeat and EastEnders.

 

Whatever Diane is up to today, I hope she has a wonderful birthday.
 

You can follow me on Twitter @CarryOnJoan on Facebook and on Instagram

Sunday, 22 May 2016

From the Archive: The Carry On Soap Bubble


As Dame Barbara Windsor has recently taken her leave from Albert Square for the very last time, here's another chance to read my blog on the cross over stars who took a little bit of Carry On magic to some of our best loved television programmes.

The festive season is peak time viewing for many British soap operas. Love them or loathe them, they are still some of the most popular programmes on television these days. I have a passion for Coronation Street but one must recognise that other soaps do exist!

There are plenty of Carry On connections with the main soaps. Less so these days sadly, as Carry On actors become increasingly thin on the ground, but here are some of the most famous links.

Let's start off with Corrie. Although there aren't any connections left these days, there was a period in the 1990s when the Manchester drama boasted three Carry On actors in the regular cast. Amanda Barrie spent well over a decade as cafe owner Alma Sedgwick, while Johnny Briggs played her on screen husband Mike Baldwin for thirty years. Sherrie Hewson also appeared, as Maureen Naylor for four years before moving on to other soap roles in both Crossroads and Emmerdale.




Other Carry On actors to pop up in Weatherfield have included: Bernard Cribbins, Kenneth Cope, Dilys Laye, Bill Maynard, Noel Dyson, Angela Douglas, June Whitfield, Brian Oulton, Brian Capron, Rosalind Knight and Bill Kenwright.

Let's head down south now to the BBC drama EastEnders. Again during the 1990s, the Albert Square soap opera featured three Carry On actors in its cast. Of course Carry On blonde bombshell Barbara Windsor played Queen Vic landlady Peggy Mitchell for sixteen years during the 1990s and 2000s. Wendy Richard, who appeared in two Carry On films and a Christmas television special was an original EastEnders cast member, appearing as Pauline Fowler from 1985 until 2006. Dilys Laye, already mentioned as having a role in Corrie, played a recurring role as Maxine Palmer in Walford between 1994 and 1995.  


What about Emmerdale? The late actress Shirley Stelfox appeared briefly in Carry On At Your Convenience. She would spend the last fifteen years of her career as Edna Birch. Carry On England star Patrick Mower is still a regular cast member in Emmerdale today, having played Rodney Blackstock since 2000. 

Over in Hollyoaks, despite it being a youth-oriented soap opera, it has still got a Carry On actress in its cast. Diane Langton, who played Private Alice Easy in Carry On England has been playing Nana McQueen on and off for several years now. Back in 1996, semi-regular Carry On actress Carol Hawkins appeared in a one off role.



So do you know of any other Carry On connections with the best of British soap operas? If you do, get in touch!


Read more about Corrie's Carry On Connections .

You can follow me on Twitter @CarryOnJoan

Thursday, 10 September 2015

Whatever Happened To ... Judy Geeson?


As it's Judy Geeson's birthday today I thought I'd write a blog about her career and find out what happened to her after her one and only Carry On appearance. Judy starred in the notorious Carry On England which was released in 1976 to less than favourable reviews. Sadly this was her only appearance in the series but thankfully this dud did not seem to affect her acting career.

Born in Sussex in 1948, Judy Geeson attended the famous Corona Academy in West London. Corona produced many notable young actors including Dennis Waterman and Richard O'Sullivan (as well as the majority of the younger cast in Carry On Teacher). Judy's earliest screen appearances came on television with guest spots in the likes of Probation Officer, Dixon of Dock Green and Emergency Ward 10. These roles all came in the early 1960s. Although further television appearances would follow (including a major role in the classic serial Poldark in the mid-1970s and a recurring role in an early soap opera, The Newcomers), Geeson found her greatest fame on the big screen with a run of major film parts.



Judy Geeson's first big success in films came in 1967 which she took on the role of Pamela in To Sir With Love opposite Sidney Poitier. Incidentally, both actors reprised their roles in an American television movie sequel in 1996. Further films came her way, including the 60s classic Here We Go Round The Mulberry Bush, co-starring with Barry Evans, Adrienne Posta and Angela Scoular. This was followed by Prudence and the Pill, in which Judy worked with the likes of Joyce Redman, Edith Evans and David Niven. Judy also had another early role, playing Joan Crawford's naughty daughter Angela in the macabre British thriller Beserk! in 1967. The film also featured the likes of Robert Hardy, Diana Dors and Geoffrey Keen.


Another of Judy's famous screen roles came in 1971 when she played Beryl Evans in the film 10 Rillington Place. This film told the sinister true story of British serial killer John Christie, played by Richard Attenborough. John Hurt also starred as Judy's on screen husband. Judy followed this up with a run of classic British horror films, very much in vogue at the time. These included Fear In The Night (1972) starring Joan Collins and Peter Cushing; A Candle For the Devil (1973) and Dominique (1978) which co-starred Jenny Agutter, Jean Simmons, Flora Robson and Ron Moody. 



In 1975, Judy Geeson starred opposite Hollywood legend John Wayne in the police thriller Brannigan, which saw Wayne's character come to London to catch a Chicago mobster. The following year came Judy's sole Carry On role, as Tilly Willing in England. Judy was one of many new faces (including Patrick Mower, Diane Langton and Melvyn Hayes) who were drafted in to freshen up the film franchise. Unfortunately they couldn't play the Carry On comedy like the traditional regulars and the film flopped. This didn't stop Geeson signing up for two similar low-brow comedies at around this time. Judy starred alongside Robert Lindsay, Adrienne Posta and Barry Evans in the sub-Confessions film Adventures of A Taxi Driver and also appeared in the Betty Box and Ralph Thomas comedy Percy's Progress. 

Judy returned to big budget films later in 1976 with a supporting role in the Second World War drama The Eagle Has Landed. The film boasted an amazing cast which included Michael Caine, Robert Duvall, Donald Sutherland, Jean Marsh and Jenny Agutter.  Judy continued to work in British film and television until she took the decision to move to the United States in the early 1980s. 

Work in the United States came mainly from television. Judy won roles in the likes of The Love Boat, Star Trek, MacGyver, Mad About You and Charmed. Having settled in California, Judy Geeson took a break from acting in the 2000s, however she has recently returned to film, appearing in two horror films - The Lords of Salem in 2012 and most recently, the slasher film 31, released this year.

Judy Geeson is also of course the sister of Carry On and Bless This House actress, Sally. The two sisters have never acted together, as far as I'm aware but both had very successful careers as the 1960s started to swing. Judy lived with the set designer Sean Kenny in the early 1970s and following his death married the actor Kristoffer Tabori in 1985. They divorced in 1989. 

As far as I'm aware Judy has never spoken about her role in Carry On England. I would love to hear her thoughts on the production. Whatever she is doing today, I hope she has a fantastic birthday!


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Sunday, 26 July 2015

What a Carry On at Fenner's Fashions!


The Rag Trade was another one of those popular, early 1960s sitcoms just bursting with recognisable Carry On faces. It is also, rather sadly, one of those legendary shows that we hardly ever see broadcast nowadays. The series originally ran on the BBC between 1961 and 1963 (three series) and then came back, this time on ITV for two further series between 1977 and 1978. So let's have a look back at this comedy classic.

The main premise of The Rag Trade was the ongoing battle between the management and the workers at Fenner's Fashions, a textile factory in London. The boss at the factory was Harold Fenner, played by Peter Jones, most well remembered these days for his long running appearances in Radio 4's Just A Minute alongside Kenneth Williams. Peter Jones was a reliable character actor who appeared in two Carry Ons, Doctor and England. Starring alongside Jones was a pre On The Buses Reg Varney as Reg, the works foreman and the legendary Miriam Karlin as the militant shop steward Paddy. Karlin gained herself a catch phrase still familiar today (and borrowed by Kenneth Cope and Bernard Bresslaw in Carry On At Your Convenience) - "Everybody Out!"

Miriam Karlin was a formidable presence off screen as well as on. Interestingly, she became a good friend of Kenneth Williams, despite the fact that while she was incredibly left wing politically, Williams was quite far to the right. They often met at Equity Union meetings and their exchanges were recorded in Kenneth's wonderful diaries.


While Jones, Varney and Karlin were the leads in The Rag Trade, some of the real stars of the show came in the form of the assorted workforce that graced the original 1960s series. The wonderful Sheila Hancock (Carry On Cleo) led the pack as Carole. Joining her were Esma Cannon (Constable, Regardless, Cruising & Cabby) in a rare television role and none other than Carry On leading lady Barbara Windsor as Gloria. Esma stayed for the first two series and was on reliably twittery form while Barbara featured in just series one. Other actresses to join the ranks included Wanda Ventham (Cleo, Up The Khyber, The Big Job), Gwendolyn Watts (Doctor, Again Doctor, Matron) and Carmel Cryan who was married to Roy Kinnear and is the mother of the very successful actor Rory Kinnear.

While The Rag Trade boasted a strong cast of reliable character actors, it also featured a glut of familiar Carry On faces in one off guest roles. Over the course of the first three series the likes of June Whitfield, Irene Handl, Terry Scott, Dilys Laye, Judith Furse, Brian Oulton, Frank Thornton and Peter Gilmore all appeared. With top acting talent like that on board how could the series be anything other than a roaring success?


While many modern day viewers might look back at this black and white curiosity from fifty years ago with disinterest, the show was actually breaking new ground. At the time comedy on television was mostly dominated by middle class, middle aged men. For the first time, The Rag Trade put working class women at the centre of the action. It also dealt with themes that had not previously been seen on television, let alone a situation comedy. While strikes were perhaps more of an issue back then than they are today (although maybe not!) there is a definite social and political context to this comedy that makes it interesting viewing even today.

There was an attempt to bring The Rag Trade back to our screens by London Weekend Television in 1977. LWT secured the original writers, Ronald Chesney and Ronald Woolfe, and two of the original stars, Peter Jones and Miriam Karlin, and produced two further series. Sadly, times had moved on and the rebooted Rag Trade was less of a success. As with the BBC sitcom Sykes, the new, colour version of The Rag Trade used many original 1960s scripts on its return. 

Joining Jones and Karlin in the 1970s series were Anna Karen, reprising her role as Olive from On The Buses. Writers Chesney and Woolfe also created On The Buses so simply transported Olive to Fenner's Fashions. Also starring was Diane Langton, who had most recently appeared in several episodes of the ATV series Carry On Laughing and played the Barbara Windsor type role in Carry On England. The series also featured the likes of Christopher Beeny and Gillian Taylforth. By all accounts the series lacked the impact and charm of the original.


Although I believe the LWT series has been released on DVD, sadly many of the original BBC episodes have long since been wiped. It would be lovely to see those that do remain receive an airing, either on BBC2 or perhaps on one of the many stations that now exist to show classic programmes from times gone by. Surely given the fact The Rag Trade starred the likes of Sheila Hancock, Barbara Windsor and Miriam Karlin, there would still be an audience for repeats?


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Monday, 20 July 2015

My Favourite Scene: Carry On England



I have been writing an occasional series of blogs which attempt to highlight my favourite scene in each of the thirty original Carry On films made between 1958 and 1978. Today I am going to cross off another of my less than favourite series entries, Carry On England.

I might dare to suggest that England is actually worse than the film that followed it, Carry On Emmannuelle. Released in 1976, Carry On England came in the wake of the sad death of Sid James. There were far too many changes to the tried and trusted formula for England to be a success. Too many of the regular cast were either missing or had been replaced. Only Kenneth Connor, Jack Douglas, Peter Butterworth and Joan Sims were present and correct. Despite a starring role for Connor, the others are pretty much restricted to frustrating and low quality cameo roles. 

One of the big mistakes made with England was to include a rash of unfamiliar, younger performers who did not have the necessary experience to pull off a Carry On comedy. The likes of Patrick Mower, Judy Geeson, Diane Langton and Melvyn Hayes all did their best but it really didn't work out. Furthermore, the longstanding music composer Eric Rogers missed his first Carry On film in over a decade. Annoyed at cuts to his budget, Rogers chose not to work on the score for England, which instead was produced by Max Harris. The change is noticeable throughout. 

Finally, while Talbot Rothwell was no longer well enough to provide a Carry On script, Dave Freeman had stepped in for the previous film, Carry On Behind, and delivered a belter. Instead of hiring Freeman again, Rogers decided to bring in two new writers to the world of Carry On. Sadly, this wasn't a wise decision either.


In an attempt to keep pace with the very popular Confessions films, the Carry Ons adapted a more honest treatment of sex and nudity in England. This film was the first to be awarded a restricted certificate, meaning the core Carry On audience of working class families could not see the picture together. This was due to several scenes featuring prominent nudity from some of the supporting actresses. Despite acquiescing to several cuts, the film was still too much for many regular Carry On fans.

So enough of my grumbling. What's my favourite scene in the mess that is Carry On England? Well, against my better judgement the climax of the film which sees the bumbling characters take part in a shoot out with some rogue German planes is actually quite patriotic. Despite being badly shot, scripted and acted, the scene somehow manages to work on some levels and it actually looks like the cast are enjoying themselves (for a change). Both Kenneth Connor and his co-star Windsor Davies also have good chemistry throughout these scenes.

Honestly though, it could all have been oh so much better!






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Saturday, 2 May 2015

Carry On England: A Step Too Far?

Carry On England. I can almost feel my breakfast rising up to say hello again. I jest of course, but only just. It is one of the few Carry On films I've watched that doesn't demand repeat viewings. Once was more than enough.

So why is it so bad, and was it a missed opportunity?

England is bizarre in many ways. The idea of making a wartime Carry On isn't a bad one. Period Carry On films normally do well and stand the test of time. England is just drab and dreary though. It looks cheap too. I know the Carry Ons were always made on a budget but the budget really does show in England and not in a good way. The absence of Eric Rogers and a reduced orchestra also damages the film as the musical score just doesn't cut it.

The storyline itself is fair enough, almost a retread of Carry On Sergeant, albeit without the charm of performances or the carefully crafted script. I will never understand why Rogers and Thomas decided not to employ Dave Freeman to write England after the previous film, Carry On Behind, had turned out to be quite a successful film. Freeman did well to continue the style of Talbot Rothwell. I'm sure his presence would have improved England a great deal.

England also suffers as it continued the theme of pushing boundaries further than the Carry Ons should really go. Ever since Barbara's bikini was yanked off by that fishing rod in Carry On Camping, flashes of female nudity had become common place. Nothing wrong with a brief flash, but by the mid-1970s the flashes were becoming more and more blatant. While this might be alright in a Confessions film, the direct competition for the Carry Ons at this time, it just doesn't sit well here. Carry Ons were always slightly innocent, naughty but not filthy and much of the comedy came from what you didn't see, not what you did. When it's all out, as it were, it often ceases to be funny. England pushed it further again and it was awful.

The cast of England is also a problem. Yes we have a starring role for Kenneth Connor which is always welcome. Connor is also partnered with Windsor Davies who is always watchable. Unfortunately other opportunities are wasted. The likes of Joan Sims, Peter Butterworth  Peter Jones and Julian Holloway are all sidelined in pointless, brief cameo roles. Jack Douglas is there too but given little to do. These established performers also don't really sit well against all the in your face shenanigans.

Far too much time is given over to new additions to the cast. The actors drafted in to Carry On England are all successful performers just really not suited to the world of Carry On innuendo. Patrick Mower, Judy Geeson, Melvyn Hayes and Diane Langton do their best but it just doesn't work. 

What I don't understand is why so many other actors previously involved with the Carry Ons did not appear in this film. Obviously Sid James had very sadly recently passed away but there were many others still working. Kenneth Williams was apparently meant to play Peter Jones' character but theatre commitments prevented him taking part. However the likes of Bernard Bresslaw, Patsy Rowlands, Barbara Windsor, Valerie Leon, Margaret Nolan, June Whitfield, Peter Gilmore and Jacki Piper were all still around and working. 

The Carry Ons needed familiar faces to make them work. And that's probably the main reason England flopped.




So what did you make of Carry On England? Worth a second look, or best consigned to the cinematic graveyard?



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