Carry On Blogging Interview: Ty Jeffries

I'm thrilled to bring this wonderful interview to Carry On Blogging. Ty Jeffries is the son of the late actor, writer and director Lionel Jeffries. I grew up loving Lionel's performances in films like Two Way Stretch and The Wrong Arm of the Law. He also directed one of my all-time favourite films, The Railway Children. 

Ty is an accomplished entertainer in his own right, with a long career as a musician and more recently as his fabulous alter-ego, Miss Hope Springs. It was delight to find out more about Ty's life and career.

First of all, I'd love to know what it was like to grow up with Lionel Jeffries as your dad?

It was certainly not your average childhood. I was often plucked out of school and whisked off to live for a year in Hollywood, or 3 months in the South of France or 2 in Spain when dad was shooting. He liked to take us all with him. I went from my prep school in Buckinghamshire with cricket bats and earthworms to school in LA with fruit bats and earthquakes! Dad really lit the passion I have for film and photography and movie musicals. And he taught me all about the great stars back in the day when there was a double bill every Saturday and Sunday on TV. We were spoilt for choice back in the day. We would watch Garbo and Bette Davis movies and he would explain all about camera angles and why certain actors and actresses were stars, their technique, the difference between stagecraft and movie acting…I learned a great deal at his knee. 

Can you tell a little about how your dad became an actor in the first place. I know he also wrote and directed - do you know which aspect of his career he preferred?

He was in the Coldstream Guards in his late teens, lying about his age to get in and fought in Burma in the Second World War. I believe, like a lot of actors of that era, he found his calling entertaining the other soldiers in plays and concert parties. He came back from the Far East and went to The RADA, where he met my mother Eileen who was also an aspiring actress with the comic timing of Lucille Ball and the looks of Hedy Lamar (her great pal Diana Dors offered to be her agent but she chose to give up acting to be a mum and wife). He went on to Rep and started making movies in his 20s. Acting in 144 one way or another.

I've read that the family home played host to many well known actors and celebrities. What kind of people did you get to know during that period?

I would sit doing my homework at the kitchen table (my mother had a bright orange Hygena kitchen…all the rage at the time) and I would see Shelly Winters or Shirley MacLaine or Lee Remick or Anouk Aimee pass by in the hallway…they would always pop their head in to say hi. Nanette Newman and Bryan Forbes, John Mills and his wife Mary Hayley Bell the playwright were great family friends. Fred Astaire would often stay the weekend. His wonderful daughter Ava is my Godmother. I remember Morecambe and Wise, Dick Emery and Bernard Cribbins as well as Patricia Neal and Roald Dahl coming to my parents summer evening garden parties. And Sid James! He came over to the house for dinner and I was awe at meeting him…I was an still am often very star struck.It was idyllic in many ways. 

I know that one family friend when you were younger was the legendary Diana Dors, someone who has always fascinated me. What was she like?

She was always in my life as a child. She was my Aunty Di. She was warm and funny and kind and of course super glam - a lot of people see Diana in Hope- she and my mother were great pals. When Diana and Alan Lake decided to convert to Catholicism they asked my parents to be their Godparents…So Diana would my Godsister, if there was such a thing. She is still very much missed.

I think my favourite film role your dad ever played was in Two Way Stretch. Do you know if your dad had a favourite film or performance from his long career? And do you have your own favourite?

I loved those British comedies of the 40s 50s and 60s. Dad did so many. Two Way Stretch, Wrong Arm of the Law, You Must Be Joking even Rocket to the Moon with Terry-Thomas and First Men in the Moon with Edward Judd. All great Sunday afternoon TV fare these days on channels like Talking Pictures TV which I love to watch. The Trials of Oscar Wilde probably was one of my favourites and his performance and also King Pelinore in Camelot. He was extremely versatile. He could play high comedy and high drama, and of course he wrote screenplays and directed with great success too, The Railway Children, The Amazing Mr Blunden...Quite a career.

What was it that made you want to become a performer yourself?

Well, I started writing songs at the age of about 5 years old. American friends left their Steinway grand in our enormous shed for a year or two when they went back to The States. It really was a gift from the gods…I sat at it and found I could play. I was writing melodies and songs almost immediately. Although I have always felt that I don’t actually write my work…that I channel it. But that’s another story. I am a composer and lyricist. I studied piano, violin, voice and composition from the age of 16 at The Purcell School of Music. That was a pretty good foundation. Although being a bit of a maverick I didn’t go through the normal channels. I had something different I wanted to express - so I started doing small theatre projects and found that one man pieces worked best for me. It wasn’t until 2010 that I really ‘came out’ as a drag artist. Not that what I do is traditional drag because I play Hope as a real person. She IS a real person to many. But it certainly draws on the work of the great Danny La Rue and America’s late Jim Bailey.  I write all Miss Hope Springs songs and dialogue and make her costumes…She’s very demanding and keeps me very busy!

From reading about you, I know that you moved to New York in the late 1970s. What are your memories of starting a new life in that great city back in those days? 

In the 70s I was still in school…it was the 80s I went to USA and caught the tail end of the Studio 54 Andy Warhol scene. Andy became a friend. I have one of the screen prints he did of Hope! its worth millions obviously!

Where did the idea for Miss Hope Springs come from and can you describe what your show is like for those unlucky not to have seen you live?

It’s very simple. I was inspired by Victor Borge and Blossom Dearie. Hope sits at the piano and tells stories about her life and plays the piano and sings songs to illustrate those stories. Talking about her life…from the Ritz to the pits her disastrous love life (falling for Liberace was a big mistake) and all those career wrong turnings and dead ends. I love Jacques Tati and Buster Keaton…So there is an element of physical comedy…also Lucille Ball and Martha Raye. Broad comedians or comedians who were broads. But there is an element of Dietrich and Piaf in Hope too and a lot of Peggy Lee. She has a fully formed back story populated by her gay husband Irving his hairdresser boyfriend Carlos and her mother Rusty (Rusty Springs) a one time strip…I mean exotic dancer. They all live together in a camper van in Dungeness…a long way from her heyday headlining at the Pink Pelican Casino in Vegas in the 60s.

What do you think your dad would have made of the path your career has taken?

Although I’ve been writing songs since I was 5 and had my first publishing deal at the age of 16 my path to the stage has been a tortuous one…there was the modelling and playing the piano at Langan’s to earn a crust but I also tried property development and landscape gardening. However, in the end, sequins and show tunes won out! I’ve been very lucky. Since starting Hope in 2010 I have not stopped working. I moved back to London from Brighton and Jeremy King of Corbin and King the hugely successful restaurateurs kindly asked me to open his new cabaret room Crazy Coqs in Brasserie Zedel in the West End and I’ve been resident there one way or another ever since. 

Last year I toured the USA and this year the UK. Some telly would be nice…but it seems a very closed shop these days and no matter one’s success as a live entertainer you have to be flogging a big new record or a movie to get on a sofa - let alone do a number. I do a lot of radio ‘appearances’ which I do in character as Hope. It’s hysterical really being a 7 ft glamazon ex showgirl blonde on the airwaves. Much of the effect is obviously lost. Like being a radio contortionist. Hope has been referred to as a blonde bombshell but also as a blonde bombsite which I think is a hoot. My mother and father were both great friends of Danny La Rue’s and dad played Horace Vandergelder at The Comedy Theatre to Danny's Dolly in Hello Dolly back in the 80s.
 

Do you have a favourite venue you like to perform in and where would you love to take your show next? 

Well Crazy Coqs or Live as Zedel is it is known currently in Piccadilly has been my home from home for 5 years now it’s London’s best kept secret. Magical Wilton’s Music Hall in Whitechapel I do a couple of shows there every year. The magnificent Wigmore Hall was a joy to play. I was amazed to sell out there in June during what was a very challenging week for everyone in London, the London Bridge terrorist attack and awful Grenfell tower tragedy had just happened. But people need entertaining at dark times. Someone very cleverly wrote that I was continuing the war-time spirit and in fact the great Joyce Grenfell (by a strange twist of moniker synchronicity) had played Wigmore Hall during the blitz…I like to think I was doing my bit too.

Do you have more shows as your alter ego Miss Hope Springs coming up and if so where can we see you?

I have several Christmas A Gogo shows coming up. That’s my all original festive musical evening with songs and stories from Hope’s lost 1971 Granada TV special. She reminisces about Harry Belafonte and Mama Cass…oh and Shari Lewis and Lambchop were in it too of course. I have a run of shows at the charming theatre in The Museum of Comedy in Bloomsbury. It’s nestled beyond the little Victorian bar and quaint museum where there are vitrines of original vintage comedy paraphernalia such as Little Titch’s shoes and Charlie Drakes toupee…it’s hysterical. There’s a lovely photo of my father and Danny La Rue there too in Hello Dolly…so I hope they will both be smiling down on me when I’m on.

Finally, what would you like to do next in your career? 

In March next year I am presenting a musical version based on the making of Joan Crawford’s last movie Trog. It’s all about a 45,000 year old stone age man encased in ice who Joan falls in love with. After she’s thawed him out of course, otherwise it would just be silly! The songs are all earworms I am told. Be warned once you’ve heard the song Trog you’ll never get it out of your mind…’He’s short and fat and hairy and he’s very very scary…He’s a Trog!’ Don’t say I didn’t warn you...

Miss Hope Springs is appearing at The 2 Brewers in Clapham on Dec 8th, The Chapel Arts Centre in Bath on the Dec 16th and at The Museum of Comedy theatre in Bloomsbury from Dec 19th 23rd and she is appearing with her special guest Rula Lenska at Live at Zedel in Piccadilly from the 28th to the 30th Dec.

All tickets available from www.misshopesprings.com/concerts

Finally, I'd just like to thank Ty very much for taking the time out of his busy schedule to do this interview. I found it fascinating and thoroughly entertaining and I hope you do too!

You can follow Ty on Twitter @TyJeffriesMusic 

And Miss Hope Springs is on Twitter @followmisshope


You can follow me on Twitter @CarryOnJoan on Facebook and on Instagram

My Review: Please Turn Over

I decided late last year to treat myself to a few guilty pleasures. There are several films associated with the Carry Ons that I have never seen so I've decided to put that right. I have purchased copies of Doctor In Love, Please Turn Over, Not Now, Comrade and the vintage television sitcom Our House. As I'm a first time viewer of all of these classics, I am going to review each title for the blog. Today I'm starting with Please Turn Over.

Please Turn Over is a prime piece of British film comedy from the glorious late 1950s black and white era. It is very much a Carry On affair as it is written by Norman Hudis, produced by Peter Rogers, directed by Gerald Thomas with a musical score by Bruce Montgomery. The original idea for the film comes from a West End play called Book of the Month by Basil Thomas. The film was released in 1959 at the height of the early Carry On success and features a host of familiar team players.

The film tells the story of a young girl and her suburban, middle class family. All very normal and ordinary to begin with. That is until the girl, Jo, has a rather racy novel published! She has based the entire story on family members and local figures and the whole thing goes down a storm. Soon, the family is the talk of the town and Jo is courted by a young playwright. Initially the family do not take kindly to the intrusion, causing Jo to flee to London with her new young friend. As Jo's parents sit down to read her work, she provides the narrative to the audience, revealing the salacious details to us all. As she does this, her family members are seen acting out the fantasy she has created and it is all highly entertaining, brought to life as it is by a rich cast of experienced farceurs. 

The majority of the film is carried by the then 18 year old Julia Lockwood, daughter of the famous British actress Margaret Lockwood. Julia does extremely well in the main role and is remarkably self assured, especially when you consider she is playing opposite some leading names. Her romantic interest in the film is played by another young face who would go on to greater success, the boyishly handsome Tim Seely. 

The main star of Please Turn Over is that outstanding comedian, Ted Ray. Fresh from his success as the guest star in Carry On Teacher, Ray was obviously flavour of the month for Peter Rogers. Ray was intended to be the main star of the forthcoming Carry On Constable, but sadly this wasn't to be due to his contractual obligations elsewhere. He does a fine job as the embattled family man at the head of Please Turn Over and his ably supported by the lovely Jean Kent as his wife Janet. It is also great to see Lionel Jeffries make an appearance as Janet's rather nervous driving instructor!

Another Carry On star, Leslie Phillips, also bags some excellent scenes as the local doctor, Henry Manners. Playing against type for some of the film, Manners is a shy man unused to female attention. As always, Leslie is great value. As is another frequent Carry On player and regular team member, Joan Sims. Joan is on terrific form in this film, playing the family's char lady. It's a typically unglamorous character part for Joan but she excels, constantly seen in a headscarf with a fag drooping out one corner of her mouth. In the narrative of Jo's book "The Naked Revolt", the downtrodden char is transformed into a French maid and Joan has never looked better! 

One of the main joys of Please Turn Over is the supporting cast which is packed full of celebrated British character actors, most of whom turn up time and time again in Peter Rogers productions. June Jago, who appeared in Carry On Regardless and Doctor, gets a more substantial role in Please Turn Over as Jo's aunt Gladys. The gorgeous Dilys Laye gets to demonstrate her superb versatility by playing Ted Ray's rather prim, officious secretary Millicent Jones and also, again in Jo's novel, a rather calculating, malicious gold digger called Stella! 

Keep your eyes peeled for brief but satisfying cameos from the wonderful scene stealers Charles Hawtrey (as a jewellery salesman) and the peerless Joan Hickson as a toffee-nosed furs saleswoman. Although small roles, they add a depth and quality to the film. Also appearing are stalwarts of the British film industry at the time which include Noel Dyson, Marianne Stone, Cyril Chamberlain, Lucy Griffiths and Victor Maddern. All play relatively minor roles but every film is enhanced by their presence.

In the end, despite the middle class scandals, all is well. Couples are reunited, love blossoms and calm is restored. I would really recommend anyone who hasn't seen Please Turn Over to track it down. It is available for very little money on the internet and is well worth a watch. It's not the greatest film ever made, but it is a prime example of some of the other comedy films Rogers and Thomas churned out during the peak of their popularity. 

As with most of their output, it is the cast of top quality actors which make it what it is. If you are a fan of these brilliant British stars, Please Turn Over is definitely for you.

You can follow me on Twitter @CarryOnJoan